Deep Purple and YES Review with Photos 8-17-24

   The Cynthia Woods Mitchell Pavilion in The Woodlands, Texas was once again the place to be Saturday August 17th when progressive rock giants YES and rock veterans Deep Purple took the stage, supported by Hannah Wicklund.

    Hannah Wicklund:
    The opener Hannah Wicklund was a dynamic showcase of raw talent and infectious energy that captivated the audience from start to finish. Performing solo as concert goers were arriving, Wicklund demonstrated why she’s a rising star in the rock scene combining skillful guitar riffs with soulful vocals that left a lasting impression.

    Her guitar work was immediately impressive. Wicklund’s voice, rich and expressive, commanded attention, effortlessly leading the audience though her bluesy rock renditions and more intimate, introspective moments.

    One of the highlights of Hanna’s performance was her story behind her song “Songbird”. She told us that she wrote it in memory of herself at 10-years old going to a Deep Purple concert with her older sister. Her sister was dating a drummer and they were all able to go backstage after the concert. The concert and backstage atmosphere led to her pursuing music as a career, fulfilling a lifelong dream. She said she feels honored to open for Deep Purple as they started it all for her and this is truly a full circle moment.

    Overall, Hannah Wicklund’s concert was a thrilling showcase of her talent and energy. With her impressive guitar skills, compelling vocals, and engaging stage presence, she delivered a performance that was both memorable and exhilarating. For fans of rock and those new to her music, this concert was a testament to Wicklund’s bright future and undeniable potential.

    Yes: A Journey Through Progressive Rock Excellence

    Yes’s performance was a breathtaking reminder of why this band remains a powerhouse in the world of progressive rock. As more fans filled the venue and excitement buzzed in the air, Yes delivered an evening of intricate musicianship and classic soundscapes that left everyone in awe.

    The set kicked off with an exhilarating 12-minute rendition of “Machine Messiah”, a track that immediately set the stage for what was to come. The incredible Steve Howe, at age 77, demonstrated right out of the gate on “Machine Messiah” why he was the first rock guitar player inducted into the Guitar Player Hall of Fame. Jon Davison’s vocals, while distinct from those of the band’s original frontman Jon Anderson, were soulful and perfectly suited to the epic nature of Yes’s music. His performance was both powerful and nuanced, capturing the essence of the band’s beloved songs.

    The setlist was a carefully curated mix of Yes’s greatest hits and fan favorites, showcasing the band’s vast musical range. Classic tracks like “I’ve Seen All Good People” which featured Steve Howe opening on his Spanish Laud then switching back to electric guitar to finish the song which led into “Yours Is No Disgrace”, each were performed with the precision and complexity that have become the hallmarks of Yes’s sound. Every song was a journey in itself with extended instrumental sections allowing the band’s virtuosos to shine.

    The band’s lineup, featuring Steve Howe on guitar, Geoff Downes on keyboards, Billy Sherwood on bass, Jon Davidson on lead vocals and Jay Schellen on drums, played with an infectious energy that was both nostalgic and fresh. Howe’s guitar solos were nothing short of mesmerizing, each note ringing out with clarity and finesse. Downes’s keyboard work, particularly his handling of the iconic organ parts, added a rich, atmospheric layer to the performance. Sherwood’s bass provided a solid backbone and Schellen’s drumming was as intricate and dynamic as ever, driving the band’s complex rhythms with skill and enthusiasm.

    One of the standout moments of the evening was the performance of “Starship Trooper”, during which the band’s interplay was particularly tight. The extended instrumental break showcased the band’s improvisational prowess and deep understanding of their musical roots, creating a mesmerizing experience that drew cheers and applause from the audience.
The visual presentation of the concert was equally impressive with a sophisticated light show and dynamic projections that complemented the music without overshadowing it. The visuals, combined with the band’s sound, created an immersive experience that transported the audience through the different eras of Yes’s illustrious career.

    A touching highlight of the night was the band’s acknowledgment of their long-time fans and their appreciation for the support throughout the years.

    Overall, Yes’s performance was a masterful display of progressive rock brilliance. Their ability to stay true to their complex sound while delivering an engaging and dynamic performance was truly impressive. For fans of progressive rock this concert was a celebration of the genre’s finest, reaffirming Yes’s place as one of its most influential and beloved pioneers.

    Deep Purple: A Night of Classic Rock Magic

    Deep Purple took the stage for a concert that reminded everyone why they are legends in the world of rock. Anticipation was high, and the band did not disappoint.

    Opening with a thunderous rendition of “Highway Star,” Deep Purple immediately set the tone for an electrifying performance. Ian Gillan’s voice, still as powerful and charismatic as ever, soared over the iconic riff, while Simon McBride’s guitar work was as impeccable as you'd expect from a rock veteran.

    The setlist was a well-crafted journey through their storied career, blending timeless classics with newer tracks that fit seamlessly into their rock repertoire. Songs like “Smoke on the Water” and “Hush” were met with roars of approval from the audience, each note resonating with the same energy that made them hits in the first place. The crowd sang along enthusiastically, proving that these songs are as beloved now as ever.

    Don Airey’s keyboard solos were a highlight of the evening, adding a layer of depth and texture to the performance. His mastery of the Hammond organ was particularly impressive and his interactions with the rest of the band were a joy to witness. Roger Glover’s bass lines were tight and rhythmic, providing a solid foundation that drove the band’s sound forward, while Ian Paice’s drumming was a masterclass in precision and power.

    One of the most memorable moments of the night was a heartfelt tribute to their late keyboardist Jon Lord. The band dedicated the song “Uncommon Man” to Jon, celebrating his significant contribution to their music. It was a touching reminder of the legacy that Deep Purple continues to honor and build upon. Next before performing “Lazy Sod” Ian described how he had once set fire to his house accidentally by being an overly relaxed lazy sod one evening and forgetting to check to see if everything had been turned off before falling asleep.

    The production of the concert was top-notch, with impressive lighting and sound engineering that perfectly complemented the band’s performance. The stage design was simple yet effective, allowing the focus to remain on the music and the performers.

    In an era where nostalgia often overshadows live performance Deep Purple managed to strike a perfect balance between honoring their past and showcasing their enduring talent. Their ability to deliver a high-energy show while still playing with the same passion and skill that defined their early years is a testament to their status as rock legends. The only notable song I personally felt like they left out of the setlist was “My Woman From Tokyo”.

    Overall, Deep Purple’s time on stage was a triumphant celebration of classic rock filled with unforgettable moments and timeless music. For fans old and new, it was a reminder of why this band has stood the test of time and remains a cornerstone of rock history.

Deep Purple Setlist:
Highway Star
A Bit on the Side
Hard Lovin' Man
Into the Fire
Guitar Solo (including "Misirlou")
Uncommon Man (Dedicated to Jon Lord)
Lazy Sod (with keyboard solo)
Lazy
Show Me
Portable Door
Anya
Keyboard Solo
Perfect Strangers
Space Truckin'
Smoke on the Water
Encore:
Caught in the Act (Snippet)
Hush (Joe South cover)
Black Night

YES Setlist:
Machine Messiah
I've Seen All Good People
Yours Is No Disgrace
Clap
Going for the One
Siberian Khatru
Encore:
Roundabout (Followed by band introductions)
Starship Trooper